Labels: artistic, artistic daughter, By Dawn Yun, camping, East Coast Jewish girl, godparents, hotel, love ununconditionally, rock star, Seattle, second mother

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Whenever people tell me how artistic my four-year-old daughter, Olivia, is, I instinctively think, “Anything but that.”

Maybe during the Renaissance, when artists had patrons and kings commissioned portraits; cathedral ceilings were blank canvases, literally, and manor houses had wall space to spare. Or even during the WPA: Sure it was a Depression and everyone was hungry, but at least the government was keeping a handful of muralists and photographers gainfully employed.

But to be an artist today is to suffer.

No job security, no career ladder, no 401(k). While everyone else is socking away a retirement, the painter is scrimping to buy art supplies and the writer is saving for a laptop; the performer is maxing out his credit cards to take classes in singing or acting or dance.

Unless one is lucky enough to be born into a trust fund, or marry a rich and generous spouse, all artists face a future of too-small apartments, necessary day jobs and daily, unending compromise. Why would I wish that on anyone, much less the girl I love more than any other in the world?

I spent ten years in New York City chasing my own artistic dreams. I wanted to dance on Broadway or at least in regional theater and write the Great American Novel on the side.

Instead, I slept on fold-out sofas in other people’s living rooms and supported myself as a legal proofreader on the night shift; I walked everywhere to save on subway fare and discovered that you could eat cereal for months on end and still survive.

By the time I woke up, exhausted, at thirty, everyone else I knew was married and living in the suburbs, a baby in arms and another one on the way.

But Olivia is sensitive, and I see that.

“Look at the moon,” was her first full sentence, as she patted a spot beside her on our front steps and pointed to the sky. “See pink” she said as the sun was setting. Once I observed that a shade of blue crayon looked happy and she nodded as she rolled it between her palms. “There are so many blues that are sad.”

Olivia is adopted so she hasn’t inherited my genes. But she’s my daughter, with the soul of a poet.

By Jessica O’Dwyer

Labels: 401(k), artistic, artistic daughter, By Jessica O'Dwyer, dancer, Great American Novel, New York City, poet, suffering artist

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This morning my 5-year-old son, Aidan, was rolling around in bed next to me singing Hey Jude, when he unexpectedly tooted.

“Hey Mom, that toot made a rhythm. . . toot, toot, toot.”

And I had to admit, it did. It was actually a musical toot.

Aidan has always found the musical in even the most mundane. He has discovered guitars in the form of forks, sticks and corn dogs. While Michelangelo brought forth great works of art from within the sublime Carrara marble of Italy, Aidan brings forth music from ordinary household objects.

There was a time, when he was about 2-years-old, that I was a bit worried about his musical obsession. One day at preschool, over graham crackers and milk, he turned to his teacher and paused before he spoke -- as if he were about to impart great wisdom.

“Tracy,” he said, “it’s a long way to the top if you want to rock-n-roll.”

He is no longer as singularly obsessed with music, but he still hears whispers from a musical muse. He now performs in the backyard on a concrete “stage” and plays golf clubs, or sets up elaborate drum sets of pots and pans, lids and pillows. He really does have rhythm -- even if it sometimes comes in the form of a toot.

By Lisa Nave

Labels: artistic, Hey Jude, music, rock-n-roll

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